Tuesday, 6 November 2012

Deeba

Source(google.com.pk)
Deeba Biography
Deeba was a pakistani film actress. She was the third most popular Urdu film heroine. She is well known for her tragic roles in Pakistani films. Deeba  was so beautiful and innocent looks. She made her movie debut in a 1962 film called 'Chiragh jalta raha'. She was the heroine in Rehman's film 'Milan',  the film 'Meray bacchay meri Aankhein' and the film 'Dil diwanay'.
Deeba, who was born in 1942, is the sister-in-law of director Baqar Rizvi. She is well known for her tragic roles in Pakistani films. Additionally, her ever-smiling face and her innocent looks, made her the Pakistani Mona Lisa.  Deeba made her presence felt as a chld star named Chutanki in the film 'Faisla.'  Deeba must have taken it as the voice of destiny, when she was informed that she was selected for a side role in Fazal Ahmed Karim Fazli's movie, 'Chiragh jalta raha'.   Thus, she made her movie debut in a 1962 film called 'Chiragh jalta raha'.  That was a glorious moment in history, harbinger of more good films to come.  Moreover, in those days, almost every Pakistani city buzzed with popular film stories.
Following her role in 'Chiragh jalta raha', Deeba worked in the movie, 'Jabsay deikha hai tumhain'. It was a huge hit.
Her co-workers applauded her strength. She felt she could accomplish a lot.
Her sustained efforts paid dividends in the film 'Phir subha hogee', in which she played the lead female role.
With the passage of time, her acting did sound better. Deeba achieved lofty heights in her next three movies:
She was the heroine in Rehman's film 'Milan', the film 'Meray bacchay meri Aankhein' and the film 'Dil diwanay'.
She paid a little extra attention to the way she faced the world each day and was able to slow down the hands of time.
Further, there are enough success stories of Deeba to fuel the fever. Six are mentioned below:
The films 'Aashiq', director Aslam Dar's film 'Wada', director Shabab Kiranvi's super hit film 'Aa'ena', director Nazrul Dada's film 'Haqeeqat', the film 'Sir Taj' and the film 'Bay Qusur'.
Casting Deeba in the films seemed a safe bet. Like other aspiring artists of her generation, she worked zealously to prove her worth. As an actress, she had come completely into her own.
Jubilant fans greeted the release of these films:
'Koshish', 'Sajna door deyaan', 'Tum he ho mehboob meray', 'Dil day kay deikho', 'Zindigi aik safar hai', director Zafar Shabab's film 'Sung dil'.
Many of her hugely successful films touched on the themes of romance in one way or another. Given the mood of their times, the movie goers could hardly ignore those themes.

The stories of those films ring true even today:

The film 'Aansoo', director S. A. Bukhari's film 'Do Aansoo', the film 'Hum Dono' (director: Al- Hamid, released in 1966, popular ghazal:
'Unki nazroan say mohabbat ka jo paigham mila', sung by Runa Laila, pictured on Deeba, starring: Deeba - Kamal) the films 'Zameer',  and 'Sajda'.
It is a signal of mediocrity when you demonstrate gratitude with moderation. Deeba is living proof of that moderation.
She increasingly found opportunities to show her abilities, notably in the films 'Khamosh raho', 'Dil diwana' and the film 'Daagh'.
Better yet, was the film 'Insaan aur farishta'.
Director Dil Jeet Mirza had cast Deeba in the role of the mentally retarded girl in his film 'Riwaaj'. Watching her role in 'Riwaaj' is an experience of a lifetime. Her character came precariously close to reality.
Her role in the film 'Seeta, Maryam, Margaret', was remarkable.
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